CHARLES KIRKPATRICK SHARPE'S COPY
The history of the scottish stage, from its first establishment to the present time...
Edinburgh.
Printed for Peter Hill, and G. G. and J. Robinson, 1793.
First edition.
8vo.
6, [2], 424, 41pp, [1]. With a half-title. In this issue, the text on pp.295-296, beginning on p.295, line 11, and ending at the foot of p.296 is present; the documents numbered xviii-xxii are removed from the appendix by the partial resetting of sig.2e4 and by cancelling leaves 2f1-3; signature *Mm4 appears to be a whole-sheet cancel. Recent gilt-tooled calf, contrasting red morocco lettering-pieces, A.E.G. A trifle rubbed and marked. Marbled endpapers, short tear to lower margin of leaf b2. Original publisher's upper wrapper bound in; boldly signed to recto Chas. Kirkpatrick Sharpe.
The first edition of actor and theatre manager John Jackson (1729/30-1806) highly personal, polemical, survey, of the history of theatrical performance in Scotland.
In his Annals of the Edinburgh Stage (1888), Dibdin terms Jackson's history a 'most pompous and inaccurate work'.
The third and fourth volumes of fellow actor Charles Lee Lewes's (1740-1803) Memoirs, posthumously published in 1805, were primarily devoted to rebuking the veracity of Jackson's claims.
Provenance: Charles Kirkpatrick Sharpe (1781-1851), Scottish antiquary and artist.
In his Annals of the Edinburgh Stage (1888), Dibdin terms Jackson's history a 'most pompous and inaccurate work'.
The third and fourth volumes of fellow actor Charles Lee Lewes's (1740-1803) Memoirs, posthumously published in 1805, were primarily devoted to rebuking the veracity of Jackson's claims.
Provenance: Charles Kirkpatrick Sharpe (1781-1851), Scottish antiquary and artist.
ESTC T36525.
£ 450.00
Antiquates Ref: 33178